Can any painter do anything blurry without thinking of Gerhard Richter?
My husband and I had a wonderful trip to Alaska. I’ve been doing a lot of new paintings based on photos I took there.
Initial block in
A few stages of the painting.
The whole study was done in about an hour. The usual palette was used and the gessobord was coated with a dilute mixture of cadmium vermillion and sevres blue (which was dry before I began the painting). This gives a nice warm undertone that shows through.