Oil on panel, 12″ x 12″ framed in custom white floater frames.
anitamillerart.com — paintings, drawings, digital
Oil on panel, 12″ x 12″ framed in custom white floater frames.
Palette notes:
titanium zinc white, cadmium yellow light, cadmium red medium, ultramarine blue, burnt umber
Painting process: The board was brushed with Gamsol then a gray mixture was painted into the Gamsol. The painting was completed a la prima.
Palette notes: titanium zinc white, cadmium yellow pale, cadmium red medium, ultramarine blue, burnt umber The very darkest color is ultramarine blue + burnt umber. The background dark green is the previous mixture with yellow added. This painting was done over a grey oil wash (to tone the board) which was dry before beginning the painting.
palette : titanium zinc white, cad yel light, cad red med, quin mag, ultramarine blue, burnt umber. panel tinted a rose color before starting. Browns made by combining (yel + red) + (ultra bl + quin mag). Burnt umber + ultra bl combo just for darkest.
The reference photo and some stages are included.
Colors used: Italian yellow ochre, ultramarine blue, cadmium red medium and burnt umber.
I painted this one yesterday in one shot. I never intended it to be this minimal, but something is telling me to stop. This photo was taken under studio lights, unfortunately. It’s been a dark and rainy week here. Colors used: Italian yellow ochre, ultramarine blue, burnt umber and titanium zinc oxide. All Williamsburg brand paints.
click on image to see large
I tried a new product today… a paper made by Arches that is for oil painting. I enjoyed it and look forward to trying more with it. My only slight problem with it is that you can’t wipe paint off completely like you can with gessobords. The paint soaks into the paper.
Things are starting to let loose and go airborne. I love fall : )
This is in remembrance.
I love the wildness of the prairie and the chance to go a little more abstract in these paintings : )
© Anita C. Miller
There were so many tall yellow daisy like flowers that day. Most were over my head! I used the edge of the palette knife to put in these stems. At first I was careful, but in the end it all came out a bit abstract expressionist : )
© Anita C. Miller
This little painting was inspired by a recent trip to the Chicago Botanic Garden. While painting this, I realized that I love the contrast of the dark central void with the bright corona of petals and spiky flower parts.
Scene from Alaska while traveling by train through wilderness.
Can any painter do anything blurry without thinking of Gerhard Richter?
A fast and fun palette knife painting.
The driver of our tour bus shouted “Caribou ahead!” and we all reached for our cameras! What a stroke of luck that I was sitting on the left side of the bus and had THE perfect view as the beast ambled by!
My husband and I had a wonderful trip to Alaska. I’ve been doing a lot of new paintings based on photos I took there.
Initial block in
A few stages of the painting.
The whole study was done in about an hour. The usual palette was used and the gessobord was coated with a dilute mixture of cadmium vermillion and sevres blue (which was dry before I began the painting). This gives a nice warm undertone that shows through.
See you all in September. Have a great rest of the summer everybody!
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